Black Swan Green: Let’s be Uncool!

Black Swan Green follows Jason’s personal growth over his thirteenth year. Jason starts his first year of teenage life in immense fear of other people discovering his “real” self. A big source of Jason’s anxiety comes from the kids in his neighborhood. Jason believes that kids in his village fall into a rigid, invisible hierarchy of popularity. Jason firmly believes that one’s rank in this power hierarchy will determine everything from friendships to respect to “survival” (Mitchell 5). Jason sees himself towards the lower side, where he lacks the coolness to be accepted by the tough kids, but also refuses to reside with the outsider kids. This in-between position renders him constantly self-conscious of his rank. For much of his year, Jason tries to construct a tough facade to impress and gain acceptance from the tough circle. 

Although Jason tries hard to render himself as tough as the other kids, he never gets their acceptance. In fact, Jason’s desire to conform to them forces him into a moral predicament. Jason often must choose to follow his values or follow what is “socially right.” An example of this tension is when he hesitates over whether to return and save Dean Moran after the greenhouse accident, where his instinct of kindness clashes with the fear of social retaliation from the spooks (140). In addition, Jason suffers the constant burden of hiding his stammer. Jason sees stammering as weakness and humiliation. He firmly believes his stammer will be used as mockery by the kids in his village. Thus, a trivial act of speaking becomes an exhausting performance. Every sentence that falls from his lips requires precise calculation and improvisation of alternatives for the words he can’t verbalize. 

As Jason’s year goes on, he receives outer mentorship that reshapes his mindset. One of these mentors is Madame Crommelynck, who reads Jason’s poetry and values his intelligence. Beyond guidance in writing, she challenges Jason to reject hierarchies and popularities. She sharply dismisses the kids that Jason’s trying to impress as “hairy barbarians (154).” She scolds Jason for using overly flowery and ornate language in his poems, emphasizing that his writing needs authenticity and courage (147). Indeed, the advice is about poetry, yet Jason may also found it applicable to real life. Towards the end of his thirteenth year, Jason begins to let go of his desire for social approval. This newly gained freedom and self-expression allow him to act more resiliently. When he acts without the fear of being condemned as a weak tattler and executes justice over Neal Brose, he gains the respect of his whole class. He even earned an “all right” from Gary Drake (273).

Jason’s experience reveals that respect from others is never earned through conformity. Blind conformity only leads to meaningless moral compromises of oneself. Only through resisting the social pressure (through being "uncool") Jason was able to reclaim control over his identity in his class. Jason’s coming-of-age lies in his ability to recognize the hollowness in the system of power in his village and his ability to choose not to be manipulated by it.

Thank you for reading! Any feedback is appreciated :D
Toodles!

Works Cited:
Mitchell, David. Black Swan Green. Random House, 2007.

Comments

  1. Hi Ruijing, this was a very deep blog post! I agree with your points that at the beginning of the year, Jason felt extremely pressured to fit in with certain groups, even if he did not agree with their actions. In that respect, I think that him choosing to "save" Dean was a sort of unspoken test that showed he would always stick to his guns, even under pressure. Furthermore, Madame Crommelynck definitely was a big influence in helping Jason overcome his fear of the "hairy barbarians", and I think she ultimately was one of the reasons he found the courage to break Neal's calculator. Great job!

    ReplyDelete
  2. "Respect from others is never earned through conformity" sums up one of this book's core moral principles beautifully: the concise and authoritative construction sounds like one of Mr. Kempsey's aphorisms, which he indirectly points Jason toward in one of the few bright-ish moments in "Maggot." This is a crucial lesson for Jason to take away, and it's related to Holly Deblin's immortal "Don't let dickheads decide what you are." To reframe the question in the context of the first "January Man," even if Jason "edits" his appearance to toe the line perfectly between "thinking himself a hard-knock" and wearing a "gay" wooly hat, this strenuous effort to conform to what he understands as hard-and-fast expectations is futile: he may be able to temporarily avoid some abuse for wearing the wrong kind of hat, but it's never going to translate over into actual respect, or to them actually deciding Jason is cool, or "hard," or tough, or whatever. He can only hide the embarrassing stuff, which is a shame because the embarrassing stuff is what makes him so distinctive, sensitive, critical, thoughtful and cool.

    When he crushes Neal Brose's beloved calculator (Uni students HATE to see the calculator take a hit--this scene is more traumatizing for some of you than the whole chapter of "Maggot"!), he has NO guarantees as to how this will play itself out--he has to "block out the consequences" and go through with it. He isn't conforming to some expectation of what it would mean to be cool or tough in this moment, but then he ends up genuinely looking cool and tough. He earns that casual "all right" from Gary Drake!

    ReplyDelete
  3. Hi Ruijing, this is a strong analysis of Jason's growth, especially the way you connect his social anziety to idea of a rigid hieracy. The examples like Dean Moran and Madame Crommelynck clearly show his shift from fear-based conformity to more indepedent thinking. I do think Jason's confidence increases throughout the book especially the more he encounters troublesome scenarios. I do think him break Neal Brose's calculator is a big step of his coming of age.

    ReplyDelete
  4. Hi Ruijing! I find it interesting that Jason earns more respect for being a non-conformist, righteous boy than for trying to fit into exclusive social circles like the Spooks. I also like that you point out how exhausting it is for Jason to constantly “perform” in front of his peers and hide his stammer weakness. I agree that Jason’s coming of age lies in his ability to act with honesty and courage. Great post!

    ReplyDelete
  5. Hi Ruijing!! I really enjoyed your blog post. This is a really interesting topic because one would wonder why Jason kept trying to be cool when it failed every time. I think that the kind of person that Jason is and how, at the end of the day, he doesn't want to be as mean as the popular kids really affected his chances of joining their groups. He finally learned respect from people, not from being popular but staying true to himself, and it must have been a little hard for him. Good Job!!!

    ReplyDelete

Post a Comment

Popular posts from this blog

Kindred: Definition of HOME

Ragtime: Embrace or Resist Changes?

Mumbo Jumbo & Postmodernism